The Nocturnal Writer: When too much imagination is a bad thing…

I’m naturally a nocturnal writer…

That’s not to say I sit at my computer writing every night – that would be too disruptive for my family – no, what I mean is this: I do my best work after midnight, and I often write whole paragraphs in my head at half past three in the morning. Believe me, it’s not the most convenient way to work.

I know I’m not alone in this affliction. When Frances Hardinge, the Costa Prize-winning YA adult author, came to speak to us at Writers at Work as part of Hay Festival this year, she told us she’d be totally nocturnal if only that lifestyle would fit in with society.

A few of us nodded our agreement. Some of us had already had this discussion – how if we didn’t need to be mindful of our families and others keeping office hours, our days and nights could be reversed, and how much more productive we would be, how much more our natural creative selves.

After the talk, Frances signed my copy of her latest novel, ‘A Skinfull of Shadows’ – to real-life me, Wendy.

She asked me about being a natural nocturnal like her – she’d obviously noticed my nodding. I briefly mentioned how, as a child, I had swapped night for day for almost a whole year, and how blissful it had been.

I didn’t have time to tell her the complete story: that I was absent from junior school for months with an infection after an operation to remove my tonsils, and that when I was sent off to bed at night I’d write and read until dawn and then sleep until lunchtime. It suited me brilliantly.

I’d had trouble sleeping from a very young age, so I was delighted with my new routine. I was getting far more sleep than I normally did and, despite the infection, I was starting to feel better than I ever had before. But, of course, my parents were terribly worried by my new and weird sleeping habit. When my mum mentioned it to the doctor, he told her not to worry – my health was clearly improving and he predicted my sleeping pattern would too, once I was back at school.

It didn’t

The light would go out at 9 o’clock and I’d lie awake for hours, writing stories in my head. I say ‘writing’ rather than ‘making up stories’ because that’s what I did – I wrote passages in my mind, word for word, with actual punctuation and paragraph breaks. And after a night of busily ‘writing’, I still, of course, had to get up for school in the morning.

After a few months, my parents were worried by how tired I looked and I was taken back to the doctor. When I admitted what I did when I couldn’t sleep, the doctor diagnosed ‘too much imagination’. He didn’t have a cure for that.

And I’m still not cured

All my life I’ve written huge amounts in my head when I should be sleeping. I wrote paragraph after paragraph of ‘Not Thomas’ that way. I used to worry I’d forget it all, and sometimes I’d get up to scribble down passages in the half-light of dawn. But recently I’ve become more relaxed about the process. If it’s good enough to type up the next day, it’ll stay in my head. If not, I’ll have forgotten it by morning. It was encouraging to hear Roddy Doyle, another speaker at Hay Writers at Work, tell us he took the same approach.

We nocturnal writers may be a peculiar lot, but I’m certain of one thing – nocturnal or not, as a writer you can never have too much imagination.

Thanks for reading!

Sara x

P.S. Do you write best at night? And do you wish, like me, you could live your life nocturnally? Let me know what you think.

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Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

Hay Writers at Work 2018

I’m absolutely delighted to be among 20 writers from Wales who are taking part in the Writers at Work project at the Hay Festival this year

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Writers at Work will run for the whole 11 days of the festival and has a fantastic program of workshops and talks, with speakers ranging from authors and poets to publishing industry professionals. I’m especially looking forward to hearing the advice of Roddy Doyle, Frances Hardinge and Ian McEwan.

The object of the scheme, now in its third year, is to aid the professional development of writers from Wales. It’s funded by the Arts Council Wales and led by Hay Fellow, Tiffany Murray.

Meet the 20 writers taking part.

We’ll also have the chance to read from our work at public sessions and to discuss our new writing with members of the group.

I’m hugely grateful to be included in the class of 2018. It’s a fabulous opportunity and the start of the festival – 24th May – can’t come too soon! 

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Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

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Waverton Good Read Award

A huge thank you to the residents of Waverton in Cheshire who have included ‘Not Thomas’ on the longlist of their debut novel award for 2018.

The Waverton Good Read Award is a really brilliant idea for a prize, where a whole village of book lovers become involved in reading and voting for their favourites. The award has been running for 15 years and was first given to Mark Haddon for his novel ‘The Curious Incident of the Dog in the Night Time’.

This year there are some well-known titles among the 24 on the longlist, including Gail Honeyman’s ‘Eleanor Oliphant is Completely Fine’, Keith Stuart’s ‘A Boy Made of Blocks’ and Graham Norton’s ‘Holding’. Rebecca F John’s wonderful novel ‘The Haunting of Henry Twist’ is included too, which means there are two of us originally from Llanelli on the list.

The shortlisting happens later this month and, of course, with such strong contenders I’d be delighted if ‘Not Thomas’ got through to the second round. But being longlisted by real readers who have no agenda other than enjoying what they read is prize enough for me.

Wouldn’t it be fabulous if there were more prizes like the Waverton Good Read Award?

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Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

People They Ain’t No Good

I came across this heartfelt cover of Nick Cave’s ‘People Ain’t No Good’ on the end credits of ‘Damned’ – Jo Brand’s very dark comedy about social workers. I had to add it to the tracklist for my WIP, ‘Emmet and Me’, about children’s homes in Ireland in the 1960s. It’s ideal for creating the right atmosphere to write by.

And ten-year-old Emmet and his friend Claire would definitely agree with the sentiment of the song’s title.

Camille O’Sullivan & ‘People Ain’t No Good’ Live Version  

Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

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Recommended Reads of 2017 – Thank You Anne Williams!

A huge thank you & diolch yn fawr to book blogger Anne Williams of Being Anne for including ‘Not Thomas’ in her list of recommended reads for damppebbles #R3COMM3ND3D2017. Here’s the link for the blog post.

And in a happy coincidence, ‘Not Thomas’ is on special offer on Kindle at the moment – just 99p.

Thank you to Emma of damppebbles for featuring Anne’s choices. Emma and Anne each have a wonderful book blog – definitely worth following if you don’t already:

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Being Anne   

Merry Christmas and Happy New Year!

Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

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#BookReview #SnowSisters by Carol Lovekin

It’s been a busy couple of weeks, what with one project or another on the go, book signing events to attend and generally getting my brain in gear for Christmas, and so my blog has been slightly neglected.

Today, however, I have a recommended read.

It’s a novel I read a few weeks ago and loved so much I nominated for the Hay Festival Book of the Year – Snow Sisters by Carol Lovekin.

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At the launch of Snow Sisters with Carol Lovekin

 

Some novels I zip through and others I devour slowly. Snow Sisters really is a novel to savour, with its gorgeously sensual prose delivered by a very skilful author. It’s a ‘curl up on the couch in front of a log fire’ kind of novel. If you haven’t already read either of Carol Lovekin’s wonderful novels, I urge you to – you will not be disappointed. 

Here’s a slightly extended version of the review I left on the Hay Festival Book of the Year page:

“I absolutely adore ‘Snow Sisters’. It’s Lovekin’s second offering and is beautifully written – just like her first, ‘Ghostbird’. The novel is set in Wales in the 1970s and has an eerie, gothic feel. It’s the story of a bohemian family, consisting of three generations of women who live in the beautiful but ramshackle Gull House. The house has a chilling history, and teenagers Meredith and Verity become sensitive to this as their home-life is turned upside down by their self-absorbed mother, Allegra.
I read this novel slowly as I wanted to relish the magical atmosphere Lovekin effortlessly creates with her lyrical writing. She paints vivid scenes for the reader. Colours are important – red flannel hearts for a lost child, a grandmother’s mystical blue garden and sumptuous greens for the vivacious Meredith. The author explores ideas of ghosts and family ties, and the enduring love between sisters.
‘Snow Sisters’ is a haunting, spellbinding novel that has stayed with me long after I – very slowly, to savour every last word – read the final page.”

Snow Sisters is published by Honno Press and is available to buy from them, Amazon and bookshops in paperback priced at £8.99. Also available on Kindle

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Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

 

#MusicTherapyThursday #JessieWare #WildestMoments

 

I’m just starting what I hope will become my next novel, and one of the first steps for me is to build a soundtrack that creates the right emotions for the story.

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I go back to this soundtrack over and over as I write, as I find it helps me to keep the emotional feel of the story consistent.

I wrote about the playlist for my first novel, ‘Not Thomas’, in the post ‘Music to Make Me Cry’

My next playlist is quite different. This is one of the songs on the soundtrack for my latest writing project:

#JessieWare #WildestMoments #musiciwriteto

Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

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#WelshWordWednesday #nosdacariad

Today’s Welsh word, for ‘Not Thomas’ readers unfamiliar with the language, is in fact three words: Nos da, cariad.

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On page 355 of ‘Not Thomas’, Tomos is thinking about his new foster mother, Tess, and how she says ‘Nos da, cariad’ when she puts him to bed. I’m sure, given the context, the meaning is pretty easy to work out.

Nos = night; da = good; cariad = love.

As it happens, there’s a David Gray song with exactly the right title.

Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

Getting Started on a New Writing Project #WritingTips

Getting started on a new writing project

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Well, I can procrastinate no longer – the time has come for me to sit down and begin writing what will hopefully become my second novel.

I think I can hear my editor muttering “about time too” 70 miles away in Aberystwyth, and I don’t blame her. I’m a very slow writer. I need to have the story straight in my head before I’ll consider typing even one word, and percolating a story isn’t a quick process, well, not for me anyway. 

My first novel, Not Thomas, lived in my head for ten years or more, and it was fully formed before I began typing it up. My next story has been growing for around two years – so not very long, relatively speaking. It feels a little soon to begin typing, if I’m honest. 

And it’s a long, long time since I began writing a new novel – 16 years, to be precise.

I started Not Thomas in 2001 and wrote it incredibly slowly (my About Sara page explains why it took me so excruciatingly long) so I’m just a little bit out of practise. To help remind myself of all the things that are good to think about right at the start of the creative process, I thought I’d make this the theme of my blog for the next month or two.

So, to ease me gently into writing novel #2, here’s my first tip to myself for starting a new project:

Get a new notebook or two.

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I write very little long-hand, preferring to type straight onto my laptop, but I couldn’t be without a large A4 notebook. For me, it’s the very first thing needed for a new writing project – after getting the story all sorted in my head and ready to go, that is. And honestly, it’s not just an excuse to buy beautiful stationery – although buying beautiful stationery is one of my favourite pastimes. It’s a starting point, somewhere to commit ideas to paper, and get them out of my head.

I write my synopsis in one notebook, chosen especially for the project, usually spring-bound, so it’ll stay open all by itself on my kitchen table. I also use this notebook to jot down sentences that come to me in random fashion, character sketches and anything else that occurs to me when I’m cooking, washing up or writing something else. As I don’t tend to type up in order, I can just flick through the notebook to find inspiration and a section of the story to write about. 

And the little notebook stays in my handbag, so when I’m out and about I always have somewhere to jot down my thoughts.  

So that’s my starting point. I’d be really interested to hear what preparations you have for starting to write a new novel. What are your must-haves? Are you a procrastinator like me, or do you just dive right in? Drop me a line and let me know.

Diolch yn fawr and thanks for reading,

Sara x

Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

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#WelshWordWednesday #NotThomas ‘Oh diawl!’

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Today’s Welsh word, for readers of Not Thomas who are unfamiliar with the language, is:

‘diawl’

On page 212, Tomos calls round to the lady next door. He doesn’t know where his mother is, so he asks the lady to ring the police. She says ‘Oh diawl, there’s no need for that.’ 

‘Diawl’ – which, when you say it fast, sounds like ‘jawl’ – means ‘devil’

(And call the police is exactly what the lady next door should have done.)

Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.