How to REALLY Know a Writer

A few months ago, along with 19 other writers from Wales, I took part in the Hay Festival Writers at Work programme*

All 20 of us – here’s the full list – spent 12 hours a day together, over 11 days, in the ‘tent’ designated for our workshops, in the canteen and, most evenings, in the pub.

We chatted over meals and during coffee breaks. We discussed where we were from and the sort of things we wrote. We shared our nervousness and excitement about being part of Writers at Work and discussed the masterclasses we’d been to and the amazing insights we’d been given into the way internationally renowned authors work.

A few days into the programme I thought I was getting to know my fellow writers pretty well

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Hay Festival Writers at Work 2018

And then we hosted the first of a series of events about Writers at Work. This was a chance to read our own work at Hay to an audience made up of the public – and each other.

It was a complete eye-opener

After the first few people had read their poetry or prose, it began to dawn on me that even after all the time spent socialising over lunches and coffees, only now was I being given the opportunity to really know them – to see their creativity and to understand what actually made them tick. And I realised that you can never truly know a creative person until you experience what they create.

Each writer came into their own as they took to the podium to showcase their work. They were in their element and it was remarkable to witness. There was such a breadth of fantastic writing on show, rich in diversity and totally inspiring. We had several sessions like this, and after each one I felt I knew my fellow writers so very much better.

So how do you really get to know a writer? Get to know their work. It’s the window into their personality, their soul and creativity.

Thanks for reading!

Sara x 

*Hay Writers at Work is a professional development course for writers from Wales. It’s the brain-child of Hay Festival’s Peter Florence, is funded by the Welsh Arts Council and run by Literature Wales. Author and educator Tiffany Murray is the programme co-ordinator.

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Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

 

The Nocturnal Writer: When too much imagination is a bad thing…

I’m naturally a nocturnal writer…

That’s not to say I sit at my computer writing every night – that would be too disruptive for my family – no, what I mean is this: I do my best work after midnight, and I often write whole paragraphs in my head at half past three in the morning. Believe me, it’s not the most convenient way to work.

I know I’m not alone in this affliction. When Frances Hardinge, the Costa Prize-winning YA adult author, came to speak to us at Writers at Work as part of Hay Festival this year, she told us she’d be totally nocturnal if only that lifestyle would fit in with society.

A few of us nodded our agreement. Some of us had already had this discussion – how if we didn’t need to be mindful of our families and others keeping office hours, our days and nights could be reversed, and how much more productive we would be, how much more our natural creative selves.

After the talk, Frances signed my copy of her latest novel, ‘A Skinfull of Shadows’ – to real-life me, Wendy.

She asked me about being a natural nocturnal like her – she’d obviously noticed my nodding. I briefly mentioned how, as a child, I had swapped night for day for almost a whole year, and how blissful it had been.

I didn’t have time to tell her the complete story: that I was absent from junior school for months with an infection after an operation to remove my tonsils, and that when I was sent off to bed at night I’d write and read until dawn and then sleep until lunchtime. It suited me brilliantly.

I’d had trouble sleeping from a very young age, so I was delighted with my new routine. I was getting far more sleep than I normally did and, despite the infection, I was starting to feel better than I ever had before. But, of course, my parents were terribly worried by my new and weird sleeping habit. When my mum mentioned it to the doctor, he told her not to worry – my health was clearly improving and he predicted my sleeping pattern would too, once I was back at school.

It didn’t

The light would go out at 9 o’clock and I’d lie awake for hours, writing stories in my head. I say ‘writing’ rather than ‘making up stories’ because that’s what I did – I wrote passages in my mind, word for word, with actual punctuation and paragraph breaks. And after a night of busily ‘writing’, I still, of course, had to get up for school in the morning.

After a few months, my parents were worried by how tired I looked and I was taken back to the doctor. When I admitted what I did when I couldn’t sleep, the doctor diagnosed ‘too much imagination’. He didn’t have a cure for that.

And I’m still not cured

All my life I’ve written huge amounts in my head when I should be sleeping. I wrote paragraph after paragraph of ‘Not Thomas’ that way. I used to worry I’d forget it all, and sometimes I’d get up to scribble down passages in the half-light of dawn. But recently I’ve become more relaxed about the process. If it’s good enough to type up the next day, it’ll stay in my head. If not, I’ll have forgotten it by morning. It was encouraging to hear Roddy Doyle, another speaker at Hay Writers at Work, tell us he took the same approach.

We nocturnal writers may be a peculiar lot, but I’m certain of one thing – nocturnal or not, as a writer you can never have too much imagination.

Thanks for reading!

Sara x

P.S. Do you write best at night? And do you wish, like me, you could live your life nocturnally? Let me know what you think.

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Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

My Experience of Hay Writers @ Work 2018

 It’s been a week now since I returned home from Hay Writers at Work, a professional development scheme for writers from Wales funded by the Arts Council of Wales and the brainchild of Hay Festival’s own Peter Florence.

I came across the call-out for applicants for the scheme in the Literature Wales’ newsletter back in March and decided to apply (under my real name, Wendy White). I was absolutely delighted when I found out a few weeks later that my application had been successful.

I spent 11 days at the festival, along with 19 other writers from Wales, being nurtured, nourished and inspired by the amazing programme of workshops and masterclasses wonderful Hay Fellow, Tiffany Murray, organised for us.

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A brief moment in the sunshine away from our Writers at Work tent

In future blogs I’ll be sharing some of the advice I gleaned from the authors, poets, publishers and agents who spoke to us, but today I’m sharing a link to Hay Festival’s blog page, and my own contribution to that. There are also posts on the website by some of the other writers who took part in the scheme, sharing their own viewpoints on our time at Hay.

It was an amazing and extremely beneficial 11 days. I came home exhausted after the packed programme, but truly inspired to take my writing to the next level and very grateful for the whole fantastic literary experience.

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The Hay Writers at Work class of 2018 with program organiser, Tiffany Murray (in sunglasses) Dr Phil George, Chair of the Arts Council Wales (right of photo) and our group organiser, Carys (back left)

But best of all, I’ve expanded my network of writing friends and I know they’ll be a real support to me. I’m looking forward to supporting their new work and cheering them on in the future too.

The Hay Writers at Work scheme can only go ahead with the generous help of the Arts Council of Wales but hopefully, if funding continues, places will be available for more writers from Wales to attend next year’s festival.

I’d advise any writer who’s eligible (that is, who’s from Wales or lives in Wales) to keep a look out for the notice in Literature Wales’ newsletter early in 2019 and just go ahead and apply – it’s an opportunity that’s too good to miss.

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A Hay Festival rose, presented to Eluned Gramich after her book launch at the festival

Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

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