Recommended Reads of 2017 – Thank You Anne Williams!

A huge thank you & diolch yn fawr to book blogger Anne Williams of Being Anne for including ‘Not Thomas’ in her list of recommended reads for damppebbles #R3COMM3ND3D2017. Here’s the link for the blog post.

And in a happy coincidence, ‘Not Thomas’ is on special offer on Kindle at the moment – just 99p.

Thank you to Emma of damppebbles for featuring Anne’s choices. Emma and Anne each have a wonderful book blog – definitely worth following if you don’t already:

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Being Anne   

Merry Christmas and Happy New Year!

Sara’s debut novel ‘Not Thomas’ – a story of child neglect, love and hope, shown through the eyes of five-year-old Tomos – is published by Honno Press in paperback and as an e-book, and is available to buy direct from the publisher, from Amazon and from bookshops.

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Not the Booker Part 2 & Sam’s Scathing Review

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What a week and a bit it’s been!

A lot has happened since I last wrote about my experiences of being on The Guardian’s Not the Booker shortlist. The main new event is that my novel, ‘Not Thomas’, has been reviewed by Sam Jordison, The Guardian’s book club reviewer.

And the review is pretty scathing – which is exactly how I expected it to be

In fact, I’ve spent the whole time between being shortlisted and his review warning my supporters, and especially my family, that Sam’s review would rip my novel to shreds. ‘Surely not?’ they all countered. ‘Believe me,’ I would reply, ‘I’ve been following Not the Booker for a few years now, and it’s not a friendly place to be.’

‘Why then,’ a good friend asked me, ‘did you want anything to do with it in the first place?’

Good question.

‘It’s a brilliant platform,’ I told her. ‘Let a reviewer tear my lovingly crafted novel to pieces – if it means Not Thomas reaches an audience it would never otherwise have had, I’ll gladly let them do it.’

She didn’t quite get it

And I guess it does sound pretty weird. I suppose it’s not the path all writers would choose to go down. I’m sure there are plenty of authors who would rather cut off their fastest typing hand than launch themselves into a less than flattering spotlight.

But when I was nominated for the Not the Booker, I saw it as a huge opportunity I simply couldn’t waste. I knew my novel would attract negative attention. I knew it would receive a harsh review from Sam. I knew many of the comments from the Guardian’s book clubbers would be damning and brutal, but yet…

I also knew that very many people who had read Not Thomas had praised it.

I knew those readers had recommended it to other people, and they’d liked it too. Word-of-mouth was working well for Not T, but word-of-mouth is a slow process. I needed to hurry things up. I’m over fifty and I may never write another book. This was my one, and possibly, only chance at getting my novel out into the big wide world.

What would you do if you were me?

Well, this is what I did as Sara…

Once I knew I was definitely on the Not the Booker longlist, I set about asking those people who’d already read Not Thomas and liked it, to think about giving it one of their votes.

There were very many worthy titles on the list – some of them from writers I knew personally, some from Welsh writers like me, and some from world-famous authors. I felt uncomfortable asking people specifically to vote for my novel, but I wanted to draw their attention to the fact that this particular prize is voted for by the public. And they had two votes, so if they had a spare, they might consider giving it to Not Thomas.

I sent out that message on Facebook and Twitter, and I waited to see what happened

Thankfully, messages of support started coming in. People who’d read Not Thomas wanted to vote for it, but The Guardian’s Not the Booker voting page was proving a nightmare. At the top of the page it promised a ballot paper below, but at the bottom of the page there was no ballot paper to be seen. Nowhere did it say ‘Vote Here’. You had to click on ‘Join the Discussion’ to place your vote. Even then it wasn’t straight forward.

People who typed their review straight into the comment box often found the review disappeared once they clicked ‘submit’

So I wrote a step-by-step guide and pinned it to my Facebook page. I wasn’t directing people to vote for Not Thomas, of course, but setting out guidance generally about how to navigate the voting page. Despite this, a lot of people contacted me to say sadly they’d had to give up.

But thankfully, so many more actually managed to vote. I had wonderful support from a whole range of readers. Two book clubs in my town had read Not T and they voted for it, and they encouraged other people to read it and vote if they liked it too. A fantastic group of on-line book bloggers, who had hosted a Not Thomas blog tour the week before, did the same.

A group of teachers who’d all read Not Thomas voted and shared the news about my Not the Booker nomination on Facebook. They encouraged more teachers to read it too, and to vote for it if they liked it. Family and friends got on board, of course, and very touchingly, people from my home town who’d read Not Thomas contacted me to ask how to vote too.

There are accusations every year in the Not the Booker comments thread about how publishers get their staff to vote for books on the longlist. This sort of mass voting results in reviews that are a rehashing of the book’s blurb

Well, I’ll just say that Not Thomas is published by a tiny, tiny publisher – Honno Welsh Women’s Press based in Aberystwyth. Four people work there, all part time. I had their total support, of course, and five authors who are also published by Honno did a fantastic job of sharing my posts, and reminding people which box took you through to vote on the Guardian page. But mass voting and rehashing book blurb it most certainly was not.

All week long, I sat at my computer replying to the wonderful, and sometimes heartbreaking, comments that Not Thomas readers sent me via Facebook and Twitter. Teachers, foster carers and social workers contacted me, all pleased that the issue of child neglect had been raised by Not Thomas. One message particularly stands out, from a person who said she had been a neglected child, just like Tomos. She thanked me for giving a voice to neglected children everywhere. Through my tears, I wrote and thanked her for her kind comments.

It was a very long and extremely emotional week

As it drew to a close at midnight on Monday, 7th August, the last vote and review for Not Thomas came in at 11.58. It was from my lovely 21-year-old niece. I crawled off to bed, exhausted by the whole process, but hopeful that the wonderful efforts of all the fantastic Not T readers had got the novel through to the next stage.

At lunchtime the next day, my neighbour rang to congratulate me. I was still in bed, totally exhausted by the week’s efforts. I hadn’t yet discovered what he was about to tell me – Not Thomas was not only on the shortlist but had the most votes. It was absolutely amazing.

And I’m so grateful to every single person who took the time and had the perseverance to vote for my novel. It was a massive team effort, and I’m so glad Tomos supporters are part of ‘the journey’. I know it’s a horrible term, but I think it’s the right one here.

There’ll be more updates soon about this Not the Booker experience, but for now the comments are coming in on The Guardian’s page in reply to Sam’s scathing review. You can read them here and comment too, if you wish. There’s no guarantee your comment won’t be ripped to shreds by the Guardian’s book clubbers – just as they’re shredding Not Thomas – but that’s all part of the fun.

That’s the result of stepping into the spotlight – and this month, I wouldn’t want little Tomos to be anywhere else

Thanks for reading my (very long!) post. Please leave a comment if you were part of the huge team effort to get Not Thomas onto the shortlist, or even if you weren’t.

Love,
Sara x

Sara’s debut novel Not Thomas is published by Honno Press in paperback and as an e-book, and is available to buy directly from the publisher or from Amazon.

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Not the Booker Madness

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It’s been a very exciting week for me – a weird, amazing, crazy three days since I found out Not Thomas has made it on to the longlist of The Guardian’s annual Not the Booker prize.

To be fair, it didn’t have to do anything to qualify, apart from meet the simple criteria that the regular Booker prize entrants meet.

But it did have to be nominated.

I’m very proud to say that Not Thomas was initially nominated by book blogger, Anne Williams. I’m so delighted that out of all the very many books she’s read this year, she chose my little Not Thomas.

If you’ve read Not Thomas too, and liked what you read, you can vote now for it in the public voting stage. This ends at midnight on Monday, 7th August, so not long to go!

There are a couple of rules: you must vote for two different titles & you must review one of the titles you’ve chosen.

Why not go to the Guardian’s Not the Booker prize page and take a look at what people are saying in the comment thread?

And if you’re curious about Not Thomas – a novel for adults in the voice of a five-year-old child – you can find a sample on Amazon.

Not Thomas is available to buy for £2.84 on Kindle today.

Read it by Monday and then if you like it, please consider giving it one of your votes!

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I’ve been keeping a nightly diary on my Facebook page since I heard about the Not the Booker longlisting. I thought I’d share last night’s snippet here:

Before I crawl off to bed after another weird but wonderful day, I thought I’d post a quick round-up of ‘Being on the Not the Booker prize Longlist’ Day 3.

It’s been a day when I’ve realised that there are so many people – who I’ve never even met in real life – going that extra mile to support me and Not Thomas.

I turned on my laptop this morning and found the wonderful book reviewer Being Anne’s blog post about why she loves The Guardian’s Not the Booker prize and why she nominated Not Thomas for it. It’s so kind of her to choose Not T out of all the books she’s read this year, and I’m very honoured she did.

This afternoon, the very talented YA author, Amy Kitcher created a wonderful graphic on twitter for Not T, plus a voting & buying link. It’s brilliant! I wouldn’t have a clue how to do it. She’s made one with all four of us authors from Wales on too. They’re on my twitter feed if you’d like to take a look.

There are lots of other instances of people showing their support too – the re-tweets, the shares, the supportive comments. My lovely neighbour kindly put a post on our town’s FB page, and my local post office suggested I put a poster up there.

And then there’s been the votes.

A huge thank you to everyone who’s voted or reminded someone else to vote – the tally was creeping towards 20 when I last looked, far more than I dreamed possible on Monday afternoon, when I first heard I was long-listed.

So that’s the end of Day 3. Thanks for your support. Dare I say this? I’ll whisper it:

If voting carries on the way it’s going, with nearly 20 votes at the end of today, maybe there’s actually a tiny, tiny chance of getting Not Thomas onto the short-list. A tiny chance. Tiny tiny…

Thanks for reading. There’ll be an update of Day 4 on my Sara Gethin Writer Facebook page tonight. Until then…

Sara x

Here are those voting and Amazon links again, just in case I’ve tempted you… 

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When Crying is Good

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It’s a strange thing to have written a book with the potential to make people cry. I knew it made me cry – I could hardly edit some sentences for the tears – but I had no real idea if when someone else read Not Thomas it would have the same effect on them.

Before it went to print, four authors read it and gave Honno, my publisher, some lovely endorsements to use on the cover and inside the book. All four authors said they found it sad, and some of them emailed me and told me it had made them cry. That was good news – maybe.

But what about readers that wanted a book for pleasure, rather than to ‘endorse’ it – what would they think when they read it? Would they find it sad? Too sad? I didn’t know what to think.

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Until the other week…

I was holding a signing event with early editions of my novel where a lovely person called Alli came along and bought herself a copy. I was amazed when she messaged me on twitter close to midnight that same day. ‘It was un-put-downable,’ she said. ‘I started crying at page 30 and didn’t stop until the end.’

The next day she wrote about her teary experience on her own blog, and eight other people who read her account bought a copy of the novel or downloaded the e-book. Wow! I was over the moon. That’s the kind of thing I’ve dreamt about: people getting to know about my book by word of mouth – or word of blog. Whichever, it was fabulous!

It was also really interesting to read the comments left on Alli’s blog. Some people were less than keen on a ‘sad’ book, while others were attracted to the idea of a good weep. And there were definitely more in the ‘crying’ camp.

It reminded me of a conversation I’d had with a former teaching colleague in June, when I first had my early copies of Not Thomas. I had taken some into school as gifts and was explaining the setting of the story – how Tomos has been removed from his lovely foster family and sent back to live with his mum; how she’s hiding a drug addiction and so she badly neglects him; and how the story is told from his five-year-old point of view.

And then I gave an apology. ‘It’s a bit of a weepy, I’m afraid. One reviewer said it should be printed on plastic paper so the reader’s tears don’t ruin the pages.’

‘Don’t apologise,’ the ex-colleague said. ‘That’s a bonus. Sometimes life is a pile of manure’ (I’m paraphrasing there) ‘but in real-life you can’t always let your guard down and have a good weep, so I love books that give me permission to cry. It’s a release – like weepy films.’

And she made perfect sense.

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Of course, we shouldn’t feel we have to hide our tears. It ought to be OK to have a cry whenever we want. But most of us are used to packing away the upsetting baggage and just carrying on with life. So maybe she was right – sometimes we do need to give ourselves permission to have a good weep.

Her comment forced me to think again about my own attitude to having written a ‘sad’ book. So now when I explain the set-up for Not Thomas and someone says: ‘Oh dear that sounds very sad’ I don’t apologise anymore. Instead I say, ‘It is a bit of a weepy, but there are some funny moments too. And reviewers have called it “ultimately uplifting”.’

At ‘ultimately uplifting’ the person I’m talking to usually sighs with relief.

And if they do decide to buy the book and dedicate five or six hours to reading it, I hope in that time their mouths will have smiled, as Tomos might say, even if their eyes have cried.

Thanks for reading!

What do you think? Do you like books that make you cry? Does it help to know a sad book is ‘ultimately uplifting’?

I’d love to know your thoughts,

Sara x

Sara’s debut novel Not Thomas is published by Honno Press in paperback and as an e-book, and is available to buy on Amazon.

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An Unusual Book Signing Memento

Just last weekend I held my very first book signing event with early copies of ‘Not Thomas’ at the Waterstones bookstore in Carmarthen. It was my first signing for this book, but wasn’t my first signing ever – I’m used to doing these events with my children’s books and they’re something I really enjoy. As a book lover, why wouldn’t I want an excuse to stand around a bookshop discussing books with other book lovers? It’s a wonderful way to spend an afternoon.

 

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But I’d been warned that this signing would be different. The managers of the shops I’d booked events at told me that children’s books and adults’ books are two very different beasts. Children’s books (at least mine) tend to retail for around £5, a good impulse-spend price. You can sell to parents, to grandparents, aunties and uncles. They’ll come in for a browse and go home with a little present for a beloved youngster.

But books for adults are entirely different. They cost more, for a start, and they have a much more limited and specific audience. And sometimes they give the impression that they’re aimed at one sex more than the other – and that halves your potential customers at a stroke.

So, the managers said, be prepared to talk to lots of people on the day, but don’t expect to sell many books – that’s just the way it goes with books for adults. I’d taken all this on board and was thoroughly prepared to sell one book, if I was lucky. And I decided not to be disappointed if I sold no more than that.

But the word fairies must have been on my side because my day went far better than expected. The weather was drizzly – not great for heading to the beach or the countryside – and the shop was very busy, with plenty of people browsing the tables of special offers. I had lots of opportunities to give out ‘Not Thomas’ flyers and to chat to potential customers, telling them what the novel was about. And most people were very happy to stop and talk, particularly when they saw my banner – placed right in the middle of the shop with a huge picture of the book cover on it.

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Two good friends from my writing group arrived near the end of my session, and by this time I was down to my last three copies. As we started to chat, I suddenly had a little rush of customers. All three books went in two minutes. It was surreal to see three people standing at the checkout, each with a copy of my book. My writing friends had obviously brought me extra luck! No copy left for them – well, not until our next writing circle meeting, anyway.

So, feeling extremely fortunate, I very happily packed up my banner and set off to the nearest coffee house for a long awaited cup of chai latte – my reward of choice. To off-set the amount of sugar in a mug of that guilty pleasure, I forwent the cake and had a toasted teacake instead.

As I sat relaxing, waiting for my drink to cool and the butter to melt on the bun, the smoke detectors in the café went off. Someone had burned the toast and the whole place was evacuated. Unfortunately, I didn’t have enough hands to take my toasted teacake, so I had to stuff one half into my mouth and leave the other half on the table. All the customers ended up finishing drinks out on the street – haphazard alfresco style.

The staff locked up and waited for the obligatory visit from the fire brigade. As we drained our cups, they handed out tokens for free drinks and told us not to worry about returning their china. It wasn’t exactly practical to leave mugs on the pavement.

So I now have a lovely big Café Nero mug as a memento of my first ‘Not Thomas’ signing. It’s a cheerful and bizarre reminder of the day I spent a few very happy hours in Waterstones – not that I’m ever likely to forget that day in a hurry!

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Sara’s debut novel Not Thomas is published by Honno Press in paperback and as an ebook and is available to buy on Amazon.

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