On Thursday, 10th June, at 7.30 pm. I’ll be chatting – virtually! – with wonderful Irish book blogger, Mairéad Hearne, of Swirl and Thread about my new book ‘Emmet and Me’ which is set is 1960s Ireland
The evening will be hosted by fabulous indie bookshop, Palas Print, of Caernarfon, in conjunction with Honno Welsh Women’s Press
Mairéad and I will be discussing the setting of ‘Emmet and Me’ in 1960s Connemara – a beautifully bleak part of Ireland – the cruelty of life in Irish industrial schools and that system’s lasting legacy. We’ll be talking about what inspired the novel, about creating fiction from real life, and seeing the world through the eyes of child narrators.
Thank you for reading and hope to see you – virtually! – on Thursday, 10th June!
More details about the online event:
Running time: 60 minutes. A recording will be made available for a limited time afterwards.
Books will be dispatched from 20 May 2021 onwards. However, please note that in the current circumstances, some books may be delayed. Postage will be applied at checkout.
I’m absolutely delighted to share today a review of ‘Emmet and Me’ by novelist, Judith Barrow
You may know Judith from her hugely popular and gripping historical fiction, including her Howarth family saga series, and The Heart Stone, her most recent novel. And last year Judith published The Memory, set in modern times, which reviewer Terry Tyler describes as “a poignant tale of love and hate” and which other reviews have called “compelling” and “unputdownable”.
I was very excited to find Judith has reviewed my new novel, ‘Emmet and Me’, on Net Galley and on her own blog too.
Yes, it probably should be the second version, because that’s how it feels – the reality of my new novel delivered to my door: proof that I actually reached the end of the process of creating a second book.
Well, the process isn’t quite finished…
but my part is complete. My editor at Honno has just sent off the typeset to the printers. In a few weeks, the final version of ‘Emmet and Me’ will be on its way to bookshops, ready for publication day on 20th May. But for now, I’m making the most of the proof copies.
They’re not for me to keep, no matter how much I’d love to – they’re to send out to reviewers; but when I opened the parcel I couldn’t help taking a moment to hug them and breathe in that beautiful smell of new book.A little bit odd, I grant you.
And when Simon and I went out to the country park, I couldn’t leave them at home.
So here’s ‘Emmet and Me’…
in the woods…
at the beach…
and back home on the lawn…
with a few items that feature large in the story of Claire O’Connell and Emmet.
(I towel-dried the grass to keep the cover clean! Spot the difference between this image and the one at the top of the page.)
Soon, I’ll be packing up the proofs again and sending them off to reviewers, and the next time I’ll hold a copy, it’ll be the final article, complete with a gorgeous cover-quote from a fabulous book-blogger who’s been generous enough to give up her time to read an even earlier version (more about that to come).
I’m extremely grateful to that wonderful book-blogger, and all book-bloggers, reviewers and readers everywhere!
Thank you, too, for reading this post by a very excited writer!
In 1924, as an eight-year-old, he was taken from his destitute parents and sent to live at St Joseph’s Industrial School. It was in a remote part of Ireland, a village called Letterfrack, a name that, for many Irish people, would become synonymous with fear and cruelty.
Tyrrell’s experiences at the school are recorded in ‘Founded on Fear’. I came across a review of the newly published book in an Irish newspaper in 2006, on a ferry from Rosslare to Fishguard, as I travelled home to Wales after a stay in Dublin. What first caught my attention was a paragraph in the review that told how Tyrrell’s burnt body was discovered on Hampstead Heath in 1967. I was puzzled. How had Peter Tyrrell published a memoir 40 years after his own death?
The story of how ‘Founded on Fear’ came about is as tragic as Tyrrell’s childhood…
And his childhood was very tragic. His first impression of the industrial school in Letterfrack was witnessing a child being viciously beaten by a teacher in the yard. Tyrrell wasn’t beaten himself that day – the Christian Brothers who ran the school prided themselves on not beating children on their first day – but afterwards, there was no protection from the cruelty.At age ten, Tyrrell’s arm was broken when a teacher thrashed him with a stick. Industrial school for him and his fellow inmates was a constant round of beatings, hunger and abuse.
For all his adult life, Tyrrell feared sleep – his dreams were terrifying. One recurring dream was of being chosen for refectory duty. Boys would silently and meticulously scrub the floor on their hands and knees after mealtimes, while a teacher flogged them repeatedly with a piece of rubber cut from a tyre. But this wasn’t simply a nightmare, something conjured up by Tyrrell’s imagination – it was his lived childhood experience.
He left the school in 1932 at 16, but he couldn’t escape the horror of abuse that he’d endured and witnessed there. He fled Ireland and joined the British Army but found it difficult to connect with others. He fell in love with a woman when he was stationed in India, but he sabotaged the blossoming relationship.
Sadly, he realised, the bullied had become the bully
Returning alone to London, he decided he must raise awareness of not only the terrible abuses that had happened to him during his time at industrial school, but of those he believed were still going on decades later. He began contacting anyone he felt could make a change – politicians and powerful people in the Catholic Church – but sadly, no one listened to him.No one, except Senator Owen Sheehy-Skeffington.
Skeffington was determined to reform the Irish school system and he encouraged Tyrrell to write down his memories of Letterfrack. Tyrrell and the senator began to correspond regularly, and over five months Skeffington received a stack of detailed letters. Peter Tyrrell confided that he hoped one day they would be published and everyone would know the truth.
Tragically, he didn’t see that day
In April 1967, under the weight of mental health problems and believing he could do nothing to stop the suffering of children in the industrial school system, Peter Tyrrell took himself to a quiet corner of Hampstead Heath and ended his life by setting fire to himself. When his body was found, there was no way to identify it. Only a corner of a postcard was retrieved, badly charred, but with part of a name and address still visible – Dr Sheehy-Sk Trinity College, Dublin.
Eventually, the London police tracked down the senator and finally put a name to the burned body. Sheehy-Skeffington died himself two years later of a heart attack, and his correspondence with Tyrrell was archived. Forty years on, lecturer Diarmuid Whelan discovered it in the National Library of Ireland. He read about Tyrrell’s desire for the letters to be published, and in 2006, Whelan collated ‘Founded on Fear’. Very sadly, he died himself four years later of cancer, at the age of 37.
‘Founded on Fear’ is now regarded as an important record of life in a boys’ industrial school
Reading the review of ‘Founded on Fear’ on that ferry to Wales, I formed a vivid impression of a young boy, damaged by years of abuse and cruelty. A trapped, terrified child who never escaped that terror, even as an adult. The picture lodged at the back of my mind, until a few years later when I came across the memoir again, this time in Chapters Bookstore in Dublin. It was tucked away on a shelf in the second hand section, and I knew I had to buy it.
Back home, as I read Peter Tyrrell’s harrowing experiences, my imagination began creating Emmet, the ten-year-old that would become the title character of my novel, ‘Emmet and Me’. I decided he would be a child growing up in an industrial school in the late ’50s and ’60s, the sort of child Tyrrell worried about. If I was going to write the story of Emmet, then I’d need to research what happened to children at that time in industrial schools. I would need to check Tyrrell’s very sad theory that terrible things were still going on in the 1960s.
That research will be the subject of another blogpost.
This one is about thanking Peter Tyrrell, Senator Sheehy-Skeffington and Diarmuid Whelan
Thank you, too, for reading,
PS. On Sunday, 25th April, I’ll be talking about ‘Broken Families and Forbidden Friendships’ with Seonaid Francis of ThunderPoint Publishing at the online Llandeilo LitFest. It would be lovely to see you there! View tickets
So, the editing is done, the typeset is being prepared…
a beautiful and atmospheric cover has been designed by the wonderful lettering artist, Ruth Rowland, and my new novel ‘Emmet and Me’ will be published on 20th May.
It’s a story set in the landscape of 1960s rural Ireland. Ten-year-old Claire has moved to Connemara from Cardiff and is a misfit at her new school. Emmet is an inmate at an industrial school ‒ a place where life is harsh and often cruel. They share a love of books and horses, and become secret friends at primary school, but their forbidden friendship has a devastating effect on both of them.
In the weeks between now and publication day, I’ll blog about the inspiration behind ‘Emmet and Me’, about my research and the real lives that I aim to reflect in the novel.
I’ll talk about my writing process, and how one of my characters might reflect me in some ways, and the themes that seem to somehow find their way into all my stories ‒ hunger and identity.
The next post will tell the story of how I stumbled upon a truly heart-breaking real-life tale that gave rise to the character of Emmet.
Until then, I’m delighted to be able to share a few early reviews of ‘Emmet and Me’
“…beautiful, perfectly set in time and place. A story of friendship, loyalty and trust… sweet but beneath that sweetness was a darkness that was heart breaking.”Sandy Taylor, author of ‘The Orphan’s Daughter’, shortlisted for the RNA Saga Award for best novel in 2021
“Sara Gethin has written something very special, very powerful, capturing the innocence of a beautiful friendship. With characters that are wonderfully portrayed, it is very easy to imagine the joy, the pain, the sorrow and the pure heartache of the lives lived and lost…Emmet and Me is a remarkable tale, a captivating novel that will leave its mark on every reader.”Mairéad Hearne, Swirl and Thread book blog
“The unspeakable cruelty of the Irish Industrial Schools and their devastating effect on children and families is laid bare in this profoundly moving, evocative story of a special friendship told through the eyes of a ten-year-old narrator. I loved it.”Laura Wilkinson, author of ‘Skin Deep’